"Midsummer I" canvas print

Every size is listed in both units, for example 65x50 cm / 25x20 in.

The canvas is cut and stretched to the inch measurement, so the centimetre figure is a conversion, rounded to the nearest centimetre. The two sit within a centimetre or two of each other. If the piece has to fit an exact space, measure from the inches.

Not sure which size suits your wall? Write to me and describe the wall, and I will tell you honestly which one I would hang there.

Every print comes framed, in one of four floater frames. They are 3.2 cm deep, and the canvas appears to float inside the frame rather than sit behind glass. The wood frames are veneer on solid wood.

Each print arrives ready to hang, with pre-installed sawtooth hardware and rubber bumpers to protect your wall and keep the piece level.

White brings a fresh, clean look that pairs well with light, soft tones and pastel palettes. It suits modern, Scandinavian and coastal interiors, and adds a sense of openness.

Black is sleek and contemporary, with crisp lines that create contrast and pull out fine detail. It is the most versatile choice in a minimalist room.

Oak is a warm, light wood with visible grain. It is timeless, works in both traditional and modern interiors, and is the frame most rooms take without argument.

Dark oak is the same wood in a deeper, warmer tone. It grounds a piece, and it is the one to choose if your furniture is walnut, teak or dark stained.

Shipping is free, wherever you are.

Every print is made to order. Production takes 2 to 7 working days and delivery a further 3 to 8, so 5 to 15 working days in all, which is two to three weeks for most orders. You get a tracking link the moment it leaves the studio.

A pair or a trio ships together in one parcel.

Your canvas is printed and stretched at the studio closest to you, then sent from there.

Norway and the EU are produced in the Czech Republic. The United Kingdom is produced in the UK. The USA is produced in the USA. Canada is produced in Canada. Australia and New Zealand are produced in Australia. The Gulf states are produced in Dubai.

If you are in Norway, the EU, the UK, the USA, Canada, Australia or New Zealand there is nothing to pay on arrival. No import fee waiting at your door, and no parcel sitting in a depot for three weeks. The price you see at checkout is the price you pay.

One exception, said plainly. Orders to Hong Kong, Singapore, Malaysia, South Korea, Thailand, Turkey and Israel travel from Dubai and may be charged local import duty on arrival. If you are ordering from one of those places and want to know what to expect, write to me first and I will find out for you.

If anything happens along the way, you get a replacement. Tell me within 14 days and send a photograph, and that is all I need. No keeping the packaging, no forms, and nothing to post back.

If you simply change your mind, you can return the piece. Contact me within 14 days of receiving it and I will send you the return address in Oslo. Return postage is yours to cover, and the piece needs to come back in the condition it arrived in.

If you are unsure about a size before you order, ask me. That is a much cheaper conversation than a return.

A 5% Norwegian artist fee is added to the price at checkout. It goes towards supporting Norwegian artists and is collected in accordance with Norwegian cultural legislation.

My signature and your edition number go onto the work before it is printed, so they are part of the piece rather than a label stuck on the back.

A certificate follows separately, posted from my studio in Oslo and signed by hand. It is your proof that you own one numbered piece in a series of 25. When the edition closes, it does not come back.

To keep shipping practical and costs reasonable, I produce prints through carefully selected local printing partners rather than sending everything from Norway.

Working with regional partners lets me keep prices accessible while holding the quality and the limited editions. Each print is produced when it is ordered, which avoids unnecessary storage and makes a wider range of sizes possible.

It means you receive a well made piece that is easier to ship, simpler to fit to your space, and still part of a controlled, limited release.

A giclée print on museum grade cotton blend canvas, 344 gsm, with archival pigment inks in lightfast colours that will not fade. The surface is matte and non-reflective, with real texture and depth, and it is UV protected.

Canvas is printed at 150 DPI and paper at 300 DPI. That difference is deliberate rather than a compromise. A canvas is a large piece read from across a room, and its weave carries the texture, while a paper print is held close and seen behind glass.